The Polyphonic Spree-Salvage enterprise (LEMON VINYL)
his record harkens back to a time when listening to an album from beginning to end was an event - the songs are contemplative yet majestic, taking us on a sonic and lyrical journey like no other. salvage enterprise' beckons complete immersion. opener “galloping seas (section 44)” affixes softly strummed acoustic guitar to an orchestral hum as tim urges, “hold on through the galloping seas.” “we’re all galloping through rough waters,” he says. “i tried to describe the process as well as i could and encourage people to keep their heads above the storm and the waves. ride it out. it’s going to be okay. it starts off very calm and introspective, and you can envision where it’s going.” flute echoes over nimbly plucked guitar during “shadows on the hillside (section 48)” as keys twinkle. a glorious harmony amplifies the nostalgia of “hop off the fence (section 49).” it concludes with “morning sun, i built the stairs (section 52).” optimism strains through his hopeful intonation, “i learned to fly, the more that i become a new reason, i want to try,” uplifted by boisterous horns and cinematic strings. it crashes into an ennio morricone-style crescendo bolstered even higher by operatic vocals.
his record harkens back to a time when listening to an album from beginning to end was an event - the songs are contemplative yet majestic, taking us on a sonic and lyrical journey like no other. salvage enterprise' beckons complete immersion. opener “galloping seas (section 44)” affixes softly strummed acoustic guitar to an orchestral hum as tim urges, “hold on through the galloping seas.” “we’re all galloping through rough waters,” he says. “i tried to describe the process as well as i could and encourage people to keep their heads above the storm and the waves. ride it out. it’s going to be okay. it starts off very calm and introspective, and you can envision where it’s going.” flute echoes over nimbly plucked guitar during “shadows on the hillside (section 48)” as keys twinkle. a glorious harmony amplifies the nostalgia of “hop off the fence (section 49).” it concludes with “morning sun, i built the stairs (section 52).” optimism strains through his hopeful intonation, “i learned to fly, the more that i become a new reason, i want to try,” uplifted by boisterous horns and cinematic strings. it crashes into an ennio morricone-style crescendo bolstered even higher by operatic vocals.
his record harkens back to a time when listening to an album from beginning to end was an event - the songs are contemplative yet majestic, taking us on a sonic and lyrical journey like no other. salvage enterprise' beckons complete immersion. opener “galloping seas (section 44)” affixes softly strummed acoustic guitar to an orchestral hum as tim urges, “hold on through the galloping seas.” “we’re all galloping through rough waters,” he says. “i tried to describe the process as well as i could and encourage people to keep their heads above the storm and the waves. ride it out. it’s going to be okay. it starts off very calm and introspective, and you can envision where it’s going.” flute echoes over nimbly plucked guitar during “shadows on the hillside (section 48)” as keys twinkle. a glorious harmony amplifies the nostalgia of “hop off the fence (section 49).” it concludes with “morning sun, i built the stairs (section 52).” optimism strains through his hopeful intonation, “i learned to fly, the more that i become a new reason, i want to try,” uplifted by boisterous horns and cinematic strings. it crashes into an ennio morricone-style crescendo bolstered even higher by operatic vocals.