limited remastered clear red lp + bonus 'git some balls' flexi in gatefold sleeve with alternate cover art this reissue offers a chance to fully appreciate a band hitting their artistic stride while acknowledging and commiserating that many of the dark forces that inspired its creation linger on. once again though it is possible to bathe in the hopeful anger that underpins sleaford mods’ blasts of outrage and electro. allying strong words and minimal electronics, sleaford mods’ second ‘proper’ album (or sixth if you go back through the early cd-r efforts) was not only andrew fearn and jason williamson’s most effective artistic expression to that point, it also truly captured the taste of a land souring by the day. “where our previous album, 'austerity dogs', barked a directionless yet solid form of anger, 'divide and exit' then carried this basic form of class consciousness,” says williamson of the vision behind the record, both musically and lyrically.
limited remastered clear red lp + bonus 'git some balls' flexi in gatefold sleeve with alternate cover art this reissue offers a chance to fully appreciate a band hitting their artistic stride while acknowledging and commiserating that many of the dark forces that inspired its creation linger on. once again though it is possible to bathe in the hopeful anger that underpins sleaford mods’ blasts of outrage and electro. allying strong words and minimal electronics, sleaford mods’ second ‘proper’ album (or sixth if you go back through the early cd-r efforts) was not only andrew fearn and jason williamson’s most effective artistic expression to that point, it also truly captured the taste of a land souring by the day. “where our previous album, 'austerity dogs', barked a directionless yet solid form of anger, 'divide and exit' then carried this basic form of class consciousness,” says williamson of the vision behind the record, both musically and lyrically.
limited remastered clear red lp + bonus 'git some balls' flexi in gatefold sleeve with alternate cover art this reissue offers a chance to fully appreciate a band hitting their artistic stride while acknowledging and commiserating that many of the dark forces that inspired its creation linger on. once again though it is possible to bathe in the hopeful anger that underpins sleaford mods’ blasts of outrage and electro. allying strong words and minimal electronics, sleaford mods’ second ‘proper’ album (or sixth if you go back through the early cd-r efforts) was not only andrew fearn and jason williamson’s most effective artistic expression to that point, it also truly captured the taste of a land souring by the day. “where our previous album, 'austerity dogs', barked a directionless yet solid form of anger, 'divide and exit' then carried this basic form of class consciousness,” says williamson of the vision behind the record, both musically and lyrically.
