limited red 2lp in gatefold sleeve + download. anna calvi’s captivating and atmospheric compositions, her first foray into scores, for seasons 5 and 6 of "peaky blinders". talking about her work on the score, calvi says “composing for peaky blinders was about atmosphere and space. there’s so much nuance when it comes to scoring to picture. it’s more about what you leave out than what you leave in. i had to let the voice of the actors do the talking but find ways of bringing out the emotion within that. i became completely obsessed with tommy shelby, i dreamt about him every night whilst i was working on the scores, i had to really inhabit the show.”
limited red 2lp in gatefold sleeve + download. anna calvi’s captivating and atmospheric compositions, her first foray into scores, for seasons 5 and 6 of "peaky blinders". talking about her work on the score, calvi says “composing for peaky blinders was about atmosphere and space. there’s so much nuance when it comes to scoring to picture. it’s more about what you leave out than what you leave in. i had to let the voice of the actors do the talking but find ways of bringing out the emotion within that. i became completely obsessed with tommy shelby, i dreamt about him every night whilst i was working on the scores, i had to really inhabit the show.”
limited red 2lp in gatefold sleeve + download. anna calvi’s captivating and atmospheric compositions, her first foray into scores, for seasons 5 and 6 of "peaky blinders". talking about her work on the score, calvi says “composing for peaky blinders was about atmosphere and space. there’s so much nuance when it comes to scoring to picture. it’s more about what you leave out than what you leave in. i had to let the voice of the actors do the talking but find ways of bringing out the emotion within that. i became completely obsessed with tommy shelby, i dreamt about him every night whilst i was working on the scores, i had to really inhabit the show.”
